AFRO DADA
Afro Dada Manifesto
Afro Dada fuses Afrocentric culture with the whimsical and nonsensical spirit of Dadaism to explore new forms of expression in my practice and propose alternative visual perspectives. Drawing from the framework of Afropessimism, Afro Dada addresses themes of rupture, erasure, fragmentation, displacement, and the complex interconnectedness of Black British, Caribbean, and West African identities—identities profoundly shaped by the historical impacts of the British Empire and the legacies of colonialism. This experimental methodology employs mark-making, sculpture, photomontage, and collage, which facilitate this interrogation of identities that remain subject to speculation and inquiry in my work. Afro Dada does not aim to resolve. Instead, it invites disorientation as a kind of clarity.
April, 2025
As part of my solo exhibition, It Should Not Be Forgotten (29 March – 6 July 2025) at Firstsite, one of the galleries was transformed into a working artist’s studio, giving visitors a unique opportunity to step inside this new creative process. On most Fridays throughout the show, I was in the studio developing the Afro Dada work live. The work-in-progress remained in the studio between my visits and was updated below.

Afro Dada Studio from Gallery 2, Firstsite








Indian ink, Xerox photocopies on watercolour paper, 210 x 210 mm (2025)





Paper face masks, paint, lace, feathers, pom poms, glitter, graphite, varible sizes (2025)





Paint and Xerox photocopies on A2 cartridge paper (2025)
Related works
The Rebels of Breadnut Island Pen
Beyond the Hold
Before Maya
After Maya
Related links
It Should Not Be Forgotten: Firstsite exhibition webpage
BBC Look East Evening News
BBC Essex Radio on the Akylah Rodriguez show
BBC Essex Radio on the Angelle Joseph show
British Empire and Slavery talk with Paul Lashmar
Empire Lines Live Special Podcast event
In conversation with Hettie Judah
The Art Newspaper review by Louisa Buck