
Beyond the Hold, installation view, Firstsite. Photo Jayne Lloyd
BEYOND THE HOLD
Part of the solo exhibition It Should Not Be Forgotten, Firstsite, 29 March – 6 July 2025
Twenty-nine Colorado prints on Phototex
1485 x 2722.5 mm each
Accompanying soundscape
Duration: 19:12 mins, loop
Beyond the Hold is an immersive photographic and sound installation that engages with Christina Sharpe’s writings concerning the Slave Ship’s Hold. It explores the Hold not solely as a site of confinement and mortality but also as a profound representation of the resilience deeply embedded in the human spirit.
At the heart of the work are twenty-nine larger-than-life-size photographs capturing performative gestures that, through a diasporic Black lens, probe the psychological and physical states of those coerced into captivity. The images are installed directly onto the gallery floor, echoing the spatial arrangement of enslaved bodies within the hull of a slave ship.
“This interplay between political and personal, trauma and strength runs throughout. The show includes grim reminders of Britain’s role in trafficking African people, while also subverting and challenging conventional historical accounts by offering new perspectives.”— Louisa Buck, The Art Newspaper
Visitors were invited to remove their shoes before entering the space, encouraging a deeper, more tactile engagement with the history the installation evokes.
Beyond the Hold is accompanied by an elegiac cello soundscape composed in collaboration with London-based Estonian cellist Kirke Gross.
































Installation views, Firstsite. Photo Jayne Lloyd
Photography: Liv Pennigton
Movement director: Seke Chimutengwende
Print: Omni Colour
Related works
The Rebels of Breadnut Island Pen
Related links
BBC Look East Evening News
BBC Essex Radio on the Akylah Rodriguez show
BBC Essex Radio on the Angelle Joseph show
British Empire and Slavery talk with Paul Lashmar
Empire Lines Live Special Podcast event
In conversation with Hettie Judah
The Art Newspaper review by Louisa Buck