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The Rebels of Breadnut Island Pen, 2025. All photos: Andrew Moller

THE REBELS OF BREADNUT ISLAND PEN

Conceived in response to The Thomas Thistlewood Papers, for the solo exhibition It Should Not Be Forgotten, Firstsite

Eight screenprints on aluminium + red raffia

1000 x 1000 mm, each
 

Born in Lincolnshire, England, Thomas Thistlewood (1721–1786) became a notorious enslaver, planter, diarist, and serial rapist. In 1750, he migrated to Jamaica—Britain’s wealthiest colony at the height of the transatlantic slave trade, and worked as an overseer on several plantations before purchasing Breadnut Island Pen in 1767.

Thistlewood kept extensive diaries spanning over 14,000 pages, meticulously documenting the atrocities he committed against the people he enslaved. His journals reveal the appalling conditions they endured, marked by relentless sexual violence and a brutal system of discipline. To suppress resistance, he routinely employed torture and punished escape attempts with extreme cruelty. As a final act of dehumanisation, he branded each enslaved person with his initials, “TT,” searing them into their right shoulders.

Among his victims were Phibbah and Molia. Jamaican-born Phibbah worked as a domestic servant, overseeing the upkeep of his plantation house. Thistlewood referred to her as his long-term concubine, and she bore his only son. In contrast, Molia arrived at Breadnut Island Pen as a fifteen-year-old girl of Igbo origin, having survived the harrowing Middle Passage from West Africa. After purchasing and branding Molia, Thistlewood renamed her Coobah and forced her into field labour until he eventually sold her.

 

My goal in crafting speculative fictional narratives about Phibbah and Molia has been to reimagine their lives beyond the narrow and dehumanising record Thistlewood left behind. Through this approach, I seek to honour and empower their experiences through a lens of solidarity and love. I focus on a period in the diaries when Thistlewood repeatedly expressed frustration at Molia’s acts of resistance. In developing these narratives, I have sought to illuminate the small, fleeting moments of respite that may have existed between brutality and gruelling labour—moments shaped by nature, cultural practices, and spiritual systems that sustained enslaved individuals and nurtured their inner strength.

The Rebels of Breadnut Island Pen 1770
The Rebels of Breadnut Island Pen 1774
The Rebels of Breadnut Island Pen 1779
The Rebels of Breadnut Island Pen 1772
The Rebels of Breadnut Island Pen 1760, 1763 and 1767
The Rebels of Breadnut Island Pen

The Rebels of Breadnut Island Pen, installation view, Firstsite. Photo: Richard Ivey

Screenprints by K2 Screens

Related works

Afro Dada

Beyond the Hold

Before Maya

After Maya

Related links

It Should Not Be Forgotten: Firstsite exhibition webpage

BBC News online

BBC Look East Evening News

BBC Essex Radio on the Akylah Rodriguez show

BBC Essex Radio on the Angelle Joseph show

British Empire and Slavery talk with Paul Lashmar

Empire Lines Live Special Podcast event

In conversation with Hettie Judah

Standard Issue Podcast

The Art Newspaper review by Louisa Buck

The Wick Spotlight

© Copyright Elsa James 2025. All Rights Reserved

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